This work is an immersive video installation that explores the tension between erasure and reappearance, drawing on narratives and archival documents related to traumas experienced by specific groups. It focuses on the case of the disappeared during the Argentine military dictatorship (1976–1983) and examines how technologies reactivate, interpret, or distort collective memory. Through archives, interviews, and visual media, the piece confronts documentary evidence with subjective memory. Two back-to-back screens simultaneously display complementary narratives, questioning the plasticity of remembrance and the ways in which we remember today.
This work is an immersive video installation that explores the tension between erasure and reappearance through narratives and archival documents related to traumas experienced by identified groups. Drawing on the case of the desaparecidos of Argentina’s military dictatorship (1976–1983), it examines how technologies reactivate, interpret, or distort collective memory. Through archives, interviews, and visual productions, the piece confronts documentary traces with subjective memory. Two back-to-back screens simultaneously present complementary narratives, questioning the plasticity of remembrance and the ways we remember today.
Active in photography since the 1980s, Laurent Neyssensas explores contemporary photography in all its forms, from scientific research to artistic creation. His work examines the uses, aesthetics, and transmission of knowledge.
Practicing photography since the 1980s, Laurent Neyssensas explores contemporary photography in all its forms, from scientific research to artistic creation. His work questions uses, aesthetics, and the transmission of knowledge.
Frédéric de La Hogue is an artist whose practice focuses on sound forms and their interactions with the visual. His work manifests in various forms, including sound pieces, graphic scores, booklets, and intermedia installations, inviting an exploration of the visible through sound.
